Last Updated: Aug 26, 2026
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Reading notes is one thing; performing under exam conditions is another. The TestSimulate test engines recreate the pace and pressure of the SAT-Critical-Reading exam environment with timed practice modes, and the 270 SAT Section One : Critical Reading practice questions give you a full rehearsal before exam day.
| Certification Vendor: | College Board |
|---|---|
| Exam Name: | SAT Section One: Critical Reading |
| Exam Number: | SAT-Critical-Reading |
| Certificate Validity Period: | 5 years |
| Exam Price: | Included in total SAT fee: US$68–US$111 (varies by region) |
| Real Exam Qty: | 52 |
| Exam Duration: | 65 minutes |
| Exam Format: | Multiple-choice, Sentence Completion, Passage-Based Reading |
| Passing Score: | Scored 200–800; no fixed pass/fail |
| Available Languages: | English |
| Related Certifications: | SAT Mathematics SAT Writing & Language |
| Recommended Training: | Official SAT Study Guide |
| Exam Registration: | Official SAT Registration |
| Sample Questions: | SAT SAT-Critical-Reading Sample Questions |
| Exam Way: | Legacy paper-based format; replaced by combined Reading and Writing section in digital SAT (2023+) |
| Pre Condition: | No official prerequisites; intended for high school students seeking undergraduate admission |
| Official Syllabus URL: | https://collegereadiness.collegeboard.org/sat |
| Section | Weight | Objectives |
|---|---|---|
| Topic 1: Information and Ideas | 45% | - Central Ideas and Details
|
| Topic 2: Sentence Completion | 20% | - Vocabulary and Sentence Logic
|
| Topic 3: Passage Content Domains | - U.S. and World Literature - History and Social Studies - Science | |
| Topic 4: Craft and Structure | 35% | - Text Structure and Purpose
|
The SAT-Critical-Reading exam is the official SAT exam behind SAT Section One : Critical Reading — passing it earns you the SAT Reasoning Test (Legacy Format) certification, a credential positioned at the University Admission Assessment level. It is built for candidates who want to validate the skills measured by SAT Section One : Critical Reading. Depending on your track, the exam is also linked to the SAT Mathematics and SAT Writing & Language certifications, so one pass can move you toward more than one SAT credential.
The SAT-Critical-Reading exam presents 52 questions to be completed within 65 minutes. That pace leaves little room for second-guessing: read each question carefully on the first pass, flag the ones you want to revisit, and keep moving instead of stalling on a single item. Before exam day, run at least one full timed session in the TestSimulate desktop or online test engine with a comparable question load — a steady rhythm under the clock is a trainable skill, and it is often what separates a pass from a near miss.
To pass the SAT-Critical-Reading exam you need Scored 200–800; no fixed pass/fail, and the official registration fee is Included in total SAT fee: US$68–US$111 (varies by region). Keep in mind that a failed attempt means paying that fee again in full — retakes are not discounted. Given the cost, self-test before you book: if you can score comfortably above the passing mark on two or three consecutive timed TestSimulate practice tests, your budget is far better spent on the exam itself than on a retake.
No official prerequisites; intended for high school students seeking undergraduate admission Because SAT revises its certification programs from time to time, treat this as a starting point rather than the final word. Confirm the current eligibility requirements on the official SAT exam page before you register.
Registration for the SAT-Critical-Reading exam is handled through the official channels below:
Delivery method: Legacy paper-based format; replaced by combined Reading and Writing section in digital SAT (2023+) — pick the option that suits you best when booking your slot.
SAT points SAT Section One : Critical Reading candidates toward the following official courses:
Official courses build the foundation; pairing them with the 270 SAT-Critical-Reading practice questions from TestSimulate turns that knowledge into exam-day readiness.
Yes. A free PDF demo of the SAT-Critical-Reading practice questions is available, so you can check the question style and answer quality before spending anything. Every purchase also includes 365 days of free updates — whenever SAT adjusts the SAT Section One : Critical Reading blueprint, your material is refreshed at no cost during that period. After the first year, you can extend the update service at a 50% discount from your member zone.
TestSimulate backs your purchase with a 100% Money Back Guarantee. If you take the corresponding exam within 60 days of purchase and do not pass, you can claim a full refund by submitting a scanned copy of your exam enrollment slip together with the official Score Report PDF within 2 days of your exam date; approved claims are processed within 7 days. The guarantee applies only to the exam matching your purchase, the candidate name must match the payer name, and it does not cover attempts taken within 3 days of purchase, candidates who downloaded the material but never sat the exam, expired orders, or free materials. If you would rather keep preparing, you can exchange the product for two free exam preparation packages of equal value and keep the update service on your original purchase.
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The SAT Section One : Critical Reading syllabus is organized into 4 domains. Among the headline areas are Passage Content Domains, Sentence Completion (20%), Information and Ideas (45%). Rather than copying every subtopic here, we keep the complete, current outline in the Exam Topics section above — work through it domain by domain with the TestSimulate SAT-Critical-Reading practice questions so nothing on the blueprint catches you off guard.
Question 1
With her speech, the politician attempted to ______ the fears of the ______ citizens.
A. assuage. .concerned
B. ignore. .alarmed
C. quell. .disaffected
D. exploit. .serene
E. intensify. .disingenuous
Question 2
In compliance with the request of a friend of mine, who wrote me from the East, I called on good- natured,
garrulous old Simon Wheeler, and inquired after my friend's friend, Leonidas W. Smiley, as requested to
do, and I hereunto append the result. I have a lurking suspicion that Leonidas W. Smiley is a myth; that
my friend never knew such a personage; and that he only conjectured that, if I asked old Wheeler about
him, it would remind him of his infamous Jim Smiley, and he would go to work and bore me nearly to
death with some infernal reminiscence of him as long and tedious as it should be useless to me. If that
was the design, it certainly succeeded.
I found Simon Wheeler dozing comfortably by the barroom stove of the old, dilapidated tavern in the
ancient mining camp of Angel's, and I noticed that he was fat and bald-headed, and had an expression of
winning gentleness and simplicity upon his tranquil countenance. He roused up and gave me good- day. I
told him a friend of mine had commissioned me to make some inquiries about a cherished companion of
his boyhood named Leonidas W.
Smiley--Rev. Leonidas W. Smiley--a young minister of the Gospel, who he had heard was at one time a
resident of Angel's Camp. I added that, if Mr. Wheeler could tell me anything about this Rev. Leonidas W.
Smiley, I would feel under many obligations to him.
What can we infer about what the author thinks of his friend from the East by the statement, "I have a
lurking suspicion that Leonidas W. Smiley is a myth" 1st paragraph?
A. His friend may be playing a practical joke on him.
B. His friend is mistaken about the existence of Smiley.
C. His friend knows that Smiley and he will strike a friendship.
D. Smiley will, as a result of his friend referring him, will show him a rousing good time.
E. He believes his friend wants revenge for some earlier misgivings.
Question 3
Your knowledge of English Literature--to which I am indebted for the first faithful and intelligent translation
of my novels into the Italian language--has long since informed you, that there are certain important social
topics which are held to be forbidden to the English novelist (no matter how seriously and how delicately
he may treat them), by a narrow-minded minority of readers, and by the critics who flatter their prejudices.
You also know, having done me the honor to read my books; that I respect my art far too sincerely to
permit limits to be wantonly assigned to it, which are imposed in no other civilized country on the face of
the earth. When my work is undertaken with a pure purpose, I claim the same liberty which is accorded to
a writer in a newspaper, or to a clergyman in a pulpit; knowing, by pre- vious experience, that the increase
of readers and the lapse of time will assuredly do me justice, if I have only written well enough to deserve
it.
Which statement least describes the author's feelings about English critics?
A. They wish their country to remain sheltered and backward by restricting authors' freedoms.
B. They do not know how to deal with enlightened authors so they forbid the reading of them.
C. They are not educated enough to understand the social implications of these writings.
D. They think more of their artificial airs than of dealing with current social issues.
E. They are wont to hold others who express views in various forums to the same restrictions as literary
authors.
Question 4
He was a un-common small man, he really was. Certainly not so small as he was made out to be, but
where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and
what he had inside that Ed, nobody ever knowed but himself: even suppose in himself to have ever took
stock of it, which it would have been a stiff job for even him to do.
The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby
though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial,
he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He DID allow himself
to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and
when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his
actions.
He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a
large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the
Curiosities they are.
One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been
there. It was always his opinion that he was entitled to property. He never would put his name to anything.
He had been taught to write, by the young man without arms, who got his living with his toes (quite a
writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd
have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind,
because HE had no property, nor hope of property, except his house and a sarser. When I say his house,
I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a
diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public
believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he
made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies
and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain."
When he said anything important, in private life, he mostly wound it up with this form of words, and they
was generally the last thing he said to me at night afore he went to bed. He had what I consider a fine
mind--a poetic mind. His ideas respectin his property never come upon him so strong as when he sat
upon a barrel-organ and had the handle turned. Arter the wibration had run through him a little time, he
would screech out, "Toby, I feel my property coming--grind away! I'm counting my guineas by thousands,
Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in me, Toby, and I'm swelling
out into the Bank of England!" Such is the influence of music on a poetic mind. Not that he was partial to
any other music but a barrel-organ; on the contrary, hated it.
He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many
phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it
kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of
my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a
Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am."
The phrase "He had been taught to write, by the young man without arms" 4th paragraph" is an example
of
A. euphemism.
B. irony.
C. exposition.
D. allusion.
E. rhetoric.
Question 5
Here my friend, about whose madness I now saw, or fancied that I saw, certain indications of method,
removed the peg which marked the spot where the beetle fell, to a spot about three inches to the
westward of its former position. Taking, now, the tape measure from the nearest point of the trunk to the
peg, as before, and continuing the extension in a straight line to the distance of fifty feet, a spot was
indicated, removed, by several yards, from the point at which we had been digging.
Around the new position a circle, somewhat larger than in the former instance, was now described, and
we again set to work with the spades. I was dreadfully weary, but, scarcely understanding what had
occasioned the change in my thoughts, I felt no longer any great aversion from the labor imposed. I had
become most unaccountably interested--nay, even excited. Perhaps there was something, amid all the
extravagant demeanor of Legrand-some air of forethought, or of deliberation, which impressed me. I dug
eagerly, and now and then caught myself actually looking, with something that very much resembled
expectation, for the fancied treasure, the vision of which had demented my unfortunate companion. At a
period when such vagaries of thought most fully possessed me, and when we had been at work perhaps
an hour and a half, we were again interrupted by the violent howlings of the dog. His uneasiness, in the
first instance, had been, evidently, but the result of playfulness or caprice, but he now assumed a bitter
and serious tone. Upon Jupiter's again attempting to muzzle him, he made furious resistance, and,
leaping into the hole, tore up the mould frantically with his claws. In a few seconds he had uncovered a
mass of human bones, forming two complete skeletons, intermingled with several buttons of metal, and
what appeared to be the dust of decayed woolen. One or two strokes of a spade upturned the blade of a
large Spanish knife, and, as we dug farther, three or four loose pieces of gold and silver coin came to
light.
At sight of these the joy of Jupiter could scarcely be restrained, but the countenance of his master wore an
air of extreme disappointment he urged us, however, to continue our exertions, and the words were hardly
uttered when I stumbled and fell forward, having caught the toe of my boot in a large ring of iron that lay
half buried in the loose earth.
We now worked in earnest, and never did I pass ten minutes of more intense excitement. During his
interval we had fairly unearthed an oblong chest of wood, which, from its perfect preservation and
wonderful hardness, had plainly been subjected to some mineralizing process--perhaps that of the
Bi-chloride of Mercury. This box was three feet and a half long, three feet broad, and two and a half feet
deep. It was firmly secured by bands of wrought iron, riveted, and forming a kind of open trelliswork over
the whole. On each side of the chest, near the top, were three rings of iron--six in all--by means of which a
firm hold could be obtained by six persons. Our utmost united endeavors served only to disturb the coffer
very slightly in its bed. We at once saw the impossibility of removing so great a weight. Luckily, the sole
fastenings of the lid consisted of two sliding bolts. These we drew back trembling and panting with anxiety.
In an instant, a treasure of incalculable value lay gleaming before us. As the rays of the lanterns fell within
the pit, there flashed upwards a glow and a glare, from a confused heap of gold and of jewels, that
absolutely dazzled our eyes.
I shall not pretend to describe the feelings with which I gazed. Amazement was, of course, predominant.
Legrand appeared exhausted with excitement, and spoke very few words. Jupiter's countenance wore, for
some minutes, as deadly a pallor as it is possible, in nature of things, for any negro's visage to assume.
He seemed stupefied thunder stricken. Presently he fell upon his knees in the pit, and, burying his naked
arms up to the elbows in gold, let them there remain, as if enjoying the luxury of a bath.
It became necessary, at last, that I should arouse both master and valet to the expediency of removing the
treasure. It was growing late, and it behooved us to make exertion, that we might get every thing housed
before daylight. It was difficult to say what should be done, and much time was spent in deliberation--so
confused were the ideas of all. We, finally, lightened the box by removing two thirds of its contents, when
we were enabled, with some trouble, to raise it from the hole. The articles taken out were deposited
among the brambles, and the dog left to guard them, with strict orders from Jupiter neither, upon any
pretence, to stir from the spot, nor to open his mouth until our return.
In context, the word "behooved" line (6th paragraph) most nearly means
A. was necessary.
B. was smart.
C. was expeditious.
D. was convenient.
E. was expedient.
Solutions:
| Question 1 Answer: A | Question 2 Answer: A | Question 3 Answer: C | Question 4 Answer: B | Question 5 Answer: A |
Ralap
Tim
Zebulon
Bridget
Eileen
Hedy
Laura
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